Foregrounding is a technique within literary works whereby authors creates ‘defamiliarization’ through linguistic dislocation that draws readers’ attention to the strangeness of the word or context (in a literary work). The term defamiliarization here refers to creation of something with which people aren’t actually familiar with; something that doesn’t falls in the age old followed pattern and methodology of the literary writing. It is an act of making something stand out of the usual surrounding of words and convey a distinctively separate meaning. Foregrounding functions in correlation to the background and clarifies the background meaning and thus the whole context. However in terms to the literary works things somewhat gets symbolic; by symbolic it is meant that they turn more figurative than precise, exact and direct. Their meanings are to be understood in reference to the context they are written, i.e. to be interpreted in the organic unity of the entire literary text.
This process which helps understand the meaning of the literary works (especially poetry) is called ‘foregrounding’, where some pieces of information are prioritised more than the other one. The information prioritised are called the ‘foregrounded’, whose meanings stand out and are remembered; and the ones that have their meaning hidden behind the foregrounded and meaning merged into the general scene are ‘backgrounded’ information; as for instance in the poetry where there are foregrounded meanings of the text given/written. The foregrounded text provides logical connection betwixt what comes afore and later. These foregrounded words however are sneaking tremendously into the day-to-day used language. Foregrounding doesn’t solely functions on its own, rather uses some devices to perform its functioning, which are:
Parallelism: - Parallel constructions are the ones wherein one structure seems equivalent or parallel to one another but the meaning of the two structures are rather belied. It is the manifestation of antithesis, consisting of phrases or sentences of similar construction and meaning placed alongside to balance each other. There are two major ways of parallelism:
Grammatical Parallelism: - It is done by placing the words with similar or rather same number of syllables or structure together in coordination. The grammatical parallelism may procure both, the similar or the contradictory meaning of the alongside used words. The basic structural construct is based on the use of rhyme like cold, behold or gratitude, servitude etc or words repetition like Kills, kills or parallels in rhythm or parallels in grammatical structure etc.
Phonological Parallelism: - This foregrounding creates a parallel structure phonologically. The foregrounding via this comprises of phonologically similar structures side by side creating foregrounding in multiple ways such as via use of alliteration, internal rhyme, meter and other forms of rhythmic pattern along with vowel sounds with or without rhyme e and the use of back and front vowels helps creation of phonological parallelism. They are built on the potential of a language and consequent in greater regularity in the language patterning compared to normal one in the flow of ordinary speech hence drawing our greater attention. Examples: →We’re the hollow men (The Hollow Men: T.S. Eliot)
The word hollow, instead of being used literally, has been used symbolically and is representative of the lack of feelings within those men for some reason.
→Tyger Tyger, burning bright,
In the forest of the night; (The Tyger: William Blake)
The word tiger is written differently to grab attention of the word along with the rhyme alliteration is used to balance one line with the other.
Deviation: - As the name itself suggests, this foregrounding is the deviation from the normal set of rules and orthodox methods of literary writing substituted with that of the newly devised, unique and different methodology. They are the unexpected irregularity in the literary work. Literary texts written via deviation evolve to develop a new and broader prospective of not just fathoming but presenting the ideas and thoughts via literary works.
Examples: →Wou’d you your writings to some Palate fit (Alexander Pope: Couplet on Wit)
The way of sentence construction is indicative of something amiss after the word ‘you’ which if simply put suggests a simple question ‘would you let your writings to fit in a palate?’
→Some few in that (Alexander Pope: An Essay on Criticism
The word ‘few’ regardless being a quantitative adjective has been used as verb to highlight the fact of some people’s skill in deceit and misleading.
Thus conclusively foregrounding is hence the presentation and portrayal of ideas and thoughts in a distinctively unique, different and unorthodox ways and patterns of literary writings.